Cortescher

With the World Cup over, an -expected- July heat wave bringing the city to a standstill and with teaching obligations not to be resumed before early September, I am taking advantage of a loosened working schedule to catch up with some long-due reading. Over the last weeks I have decided to take up the task of reading Douglas Hofstadter's legendary "Godel, Escher, Bach: An eternal golden braid" (also referred to as GEB-EGB by "connaiseurs").

Being a book I 've always meant to read but at the same time more of a project than actual reading entertainment, GEB is to be given time and space to breath between reading chapters discussing a wide range of subjects from -the obvious but rather misguiding Music and Art- to -the more proper- computing, cognition and artificial intelligence. I therefore relax my GEB-endeavour with interludes of short stories by some of the South American masters, (Cortazar and Marquez mostly), whom I have somehow always connected with the summer.
It was this way that I came to make a strange connection between, GEB (and the middle "E" in particular, that is "Escher") with a short story from Julio Cortazar's "Final del juego" that I read only recently.

The story is called "La noche boca arriba", which would be translated in English as "The night face up" (non-spanish readers can opt for this interesting comic-strip version). It starts with an ordinary motorcycle accident, with the rider -our hero- being taken to hospital to receive first aid treatment. There he drifts into a strange limbo having and a very vivid dream in which he is transformed into a central American warrior-prince being chased by the blood-thirsty soldiers of the enemy in a dense, tenebrous jungle. As our hero resonates in and out of his drug-induced lethargy the realistic description of the surgery room is more and more blending with the visions of his middle-aged American dreamscape. The warrior has now been captured and is being kept captive in a dim, moist cave. As surgery goes on, the wounded rider dozes off deeper and deeper into this horrible nightmare. His captives are now tying him up on a wooden stretcher as the preparations for his sacrifice -for he is going to be sacrificed- are under way. As the story is slowly drawing to a climax, the part of the warrior is gradually occupying the greatest part of the story, the agony of the imminent sacrifice has become the main theme with the ongoing surgery in a distant time and space shifting to a secondary allegory. The upsetting "finale" resolves in a complete reversal of the story, as we realize that the surgery room, the accident, the speedy motorcycle ride have all been parts of a futuristic vision of the moribund warrior instead of the actual facts.

These reversals are rather a commonplace in Cortazar and the rest of his kind (Borges being the most prominent). But having had recently gone through the wonderous worlds of M.C. Escher, I could not but think of his "Metamorphosen", where a main theme being gradually mixed with a secondary until completely transformed into it, and how Douglas Hofstadter might have been delighted in citing this wonderful literary analog to complementary transformations (instead of filling the gaps of his chapters with his somehow dully pedagogical dialogs).

As it was getting very late -but not much cooler- I switched off the light and tried to get some sleep myself, only to realize that I was too upset by Cortazar's complementary nightmares and that instead of taking a "break" I should have moved directly to Hofstadter's next chapter on recursion.

It's always the 26th

On July 26th 1953, some 130 men badly trained, poorly armed, wearing second-hand military uniforms, stormed the barracks of La Moncada in Santiago de Cuba at daybreak. As the attack was pushed back by the soldiers of Fulgencio Batista's military regime, a great part of the insurgents died on the spot. Others were executed the morning after and the rest of them were captured in the following days, tortured, trialed for treason and imprisoned for life.
They did not, however, serve for life. For it only took five years and 158 days for the man who had led them against La Moncada to finally triumph in kicking Batista and Co. out of Cuba. Fidel Castro's first official decree ordered their liberation and the declaration of July 26th as a national holiday.

Last week, that same man, Fidel Castro, having outlived nine U.S. presidents, several CIA-orchestrated attacks against the state of Cuba and himself, made an official appearance after being considered seriously ill (at some times even at the verge of death) for more than a year. He looked feeble but in good humour and even had time to talk to the people for a couple of hours, for remaining silent has never been his thing ever since he defended his own self in the trials of La Moncada movement.

Castro will turn 84 next month but will still be at the center of attention of the whole country for today's celebrations of the National Holiday commemorating the attack on La Moncada. Fifty seven years after that first attempt to change the lives of the Cuban People, he is something more than a talisman of the state he rescued from the gangsters and the pimps. He is still active, taking decisions, forming policies and even committing errors, something Bill Clinton (to name only one) can only match with explaining the way he led the World Economy to ruins to University students all over the planet. (His fee for such "inspired" talks amounts in the thousands, they say, but maybe he plays the sax for free on intermission).

In the meantime, Castro, once the pole of an "axis of evil", demonized for trying to impose a "failed economical system" on the poor Cubans, is seeing how his country sails through the latest international economic crisis, the third one since he took over. I guess he must be entertained with the way his fellows in the US and Europe are cutting down salaries and pensions, watching unemployment rise and public spending decrease. I also guess that by now, having been harshly criticized for nationalizing banks and companies, he must be entertained with how European Governments are using taxpayers money to rescue private banks.
I 'm also guessing Castro, having been repeatedly accused for his insistence on not liberating political prisoners, will be laughing at the new laws in Europe and elsewhere forcing women not to wear burkha, forcing everybody to carry new, biometric passports, registering mobile phones, allowing landlines to be tapped "under special circumstances" e.t.c.

And I 'm guessing Castro will be having the time of his life today. Seeing Cuba maintaining its dignity in times that even sovereign states are being bullied by the IMF and some arbitrary world-dictators named G20. Seeing that Cuba -in the way he has defended it against the wishes of "liberals" worldwide- has not had the luck of Haiti or Bolivia, thus it cannot be devastated by natural catastrophes like earthquakes or un-natural ones like Lehman Brothers.

For Castro, it may not "always be the 26th" (as Omara Portuondo sings in this beautiful anthem) but in the end it looks like history may absolve him after all.

PMD (Post-Mundial-Depression)

Cuando el Mundial comenzó, en la puerta de mi casa colgué un cartel que decía Cerrado por fútbol. Cuando lo descolgué, un mes después, yo ya había jugado sesenta y cuatro partidos, cerveza en mano, sin moverme de mi sillón preferido. Esa proeza me dejó frito, los músculos dolidos, la garganta rota; pero ya estoy sintiendo nostalgia. Ya empiezo a extrañar la insoportable letanía de las vuvuzelas, la emoción de los goles no aptos para cardíacos, la belleza de las mejores jugadas repetidas en cámara lenta. Y también la fiesta y el luto, porque a veces el fútbol es una alegría que duele, y la música que celebra alguna victoria de ésas que hacen bailar a los muertos, suena muy cerca del clamoroso silencio del estadio vacío, donde ha caído la noche y algún vencido sigue sentado, solo, incapaz de moverse, en medio de las inmensas gradas sin nadie.


Eduardo Galeano
El reino magico

*(Find an English translation here)