Last Thursday I turned 30. The number may appear significant but it is merely based on our convention for counting the time passing by. Thirty is round in terms of years but it corresponds to 10.595 days (including leap years). On the other hand it corresponds to 360 months, which may also appear significant as a number equaling the degrees of a full circle. And perhaps it is for this -full(?)- circle that turning thirty appears that important for people of my generation, implying that it is time this circle closes, a new one opens, while philosophical self-doubting of a similarly low level is supposed to be taking place in the vulnerable mind of the poor thirty-year-old.
Above all, thirties means it's high time you start making plans. And this implicitly means long-term plans about the future. Settling down, getting a stable job, a -more or less- stable residence, start thinking about family -in case you are not already-, to sum up, all the things that irrevocably introduce you once and for all into the world of the grown-ups.
I am not fully aware of whether I am going through a turning-thirty crisis or whether I have been going through it since the moment I was born and thus I am now facing it with courage and "as having been ready since long time ago". But the truth is that I never felt the least envious for the grown-up world. I never really liked long-term planning. I know I like dreaming more than average, a tendency which people sometimes attribute to my star sign, I delve into day-dreaming far more often, a tendency which people attribute to my inherent laziness. I like to plan holidays, trips and the such but when it comes to answering questions of the type " how do you see yourself in 5 years" I come upon insurmountable problems.
Linking this tendency to an attribute of my character is easy for most people. It cannot but be due to an obstinate immaturity, that has been resisting for three decades.
Well, I beg to differ. I sincerely think it has to do with my experience about life itself hating plans more than I do. I have been around enough time to see people's plans being smashed and shattered in a single moment. It is not necessarily tragic. It is the pure essence of life, uncertain and volatile. Plans are to be made in any case, but just for the fun of it. Most of the times they won't work, and quite a few of them will be transformed into glorious failures overnight.
I was just thirty years and two days old, thinking about all that, when I read about this on the paper. During Friday night, a metro train, stationed at Pireas' terminal, slipped off the tracks (probably because of a malfunction of its break system) and went through the wall surrounding the terminal only to be stopped by friction and debris in the middle of a main avenue. As it was very late at night, the train was empty of passengers and the avenue void of cars, there were almost no people harmed. Almost. You see, the train had pierced through the wall right at the point where a homeless guy used to spend the nights -the neighbours said-. He was killed on the spot.
I can bet that unfortunate German -the neighbours said- fellow, had no big plans about his life. He probably arrived in Greece some years ago with no clear plans whatsoever and just got stuck there. He must have been a grown up -as the neighbours would not mind testifying- but all he could plan about would be making it for one more cold night, right by the wall of Pireas' terminal station and then perhaps get some breakfast in a nearby cafeteria, side by side with rudely awaken workers and grumpy immigrant waiters.
It's just that sometimes, even plans as simple as that, do not seem to work out.
Tuesday, February 26, 2008
Friday, February 22, 2008
today
the beasts have not been tamed yet
my blood lost and my sharp, hear you,
my sharp dagger
like a calf that flies the skies
smashing the branches of the hanging stars
hear you,
It is me, hear you
I love you, hear you
I hold you, I behold you, I dress you
with Ophelia's white wedding gown, hear you
Where are you leaving me? where are you parting to?
and who
holds your hand over the deluges?
Odysseus Elytis
my blood lost and my sharp, hear you,
my sharp dagger
like a calf that flies the skies
smashing the branches of the hanging stars
hear you,
It is me, hear you
I love you, hear you
I hold you, I behold you, I dress you
with Ophelia's white wedding gown, hear you
Where are you leaving me? where are you parting to?
and who
holds your hand over the deluges?
Odysseus Elytis
The Monogram, Canto IV
Wednesday, February 20, 2008
The winter of the patriarch
Yesterday, out of the blue, Fidel Castro announced that he won't be candidate for the presidency of the Cuban Parliament. A piece of news with such an impact, that he had to repeat twice even though it was in written form. It looks like the "Commandante" is eventually going out in style and dignity. I remembered an old post, written last January when Castro was close to dying and I was becoming to emotional. Then Castro got through it and the post remained unpublished. Today I finally post it partly because I re-read it and liked it, but mostly because the meaning is still there. Castro's stepping down somehow liberates Cuba from the constant threat of its adversaries, above all it can serve in removing the argument of lack of democracy, fed on his remaining in power for almost half a century. It also opens the way for reforms, but -I hope- without any compromise for the Cuban Revolution.
Winter is here, my general.
The winter of our discontent is here. The vultures are already out there, sharpening claws, you may not hear them but it is only because you lie there unconscious. You listen no more to the news, that your one-eyed courtiers read you everyday, because you don't want to, because you are fed up with the lies you read about you as much as with the lies they invent to protect you. To protect your venerated image of saint, patriarch, supreme leader, father of the country, because a saint, my general, cannot be dying.
The people, your people, are looking at the vultures spiraling down from the skies and are afraid. Afraid that all the prophecies will come true. That this will be the end of the passing of the comets, that they will take our sea away and sell it to the landowners of deserts piece by piece, that the days will get shorter and shorter until finally the sun rises from the west, that the sand will turn to powder and the rivers will be mixed with alcohol. That the "Granma", will shipwreck once again, one last time , and will be silently covered with seaweeds and corrals. They are afraid that our children, your children will forget the letters and the words and trade them for shiny marbles and mirrors. That our sick, old people will be thrown out on the streets, because the vultures prefer the beggars, the crippled and the fools to the poor, the barefoot and the curious.
They say my general, that it cannot be true that the father of the country is getting old, that he is not recovering, that he is drowning in his own feces. Because they are afraid and they forget what we humans, really are. That we are this small vein in our head that pops open, this tiny bead of grass stuck in our artery, this gut that suddenly bursts and refuses to heal. They cannot believe, or they refuse to believe, my general, that your wound is refusing to heal, that it is left open, one more open wound on the face of this land, your land.
But it is true, that the wound is not healing.
And the vultures are out there pecking the barbed-wire fence you put around the country, trying to break in, drawn by the stink of a wound that won't heal and the sacred smell of the shit in your belly. This is what we are, my general, this is what you are. You are the open wound drawing the vultures and we have become the fence that is keeping them out. It's time you go now, but we' ll stay put.
Godspeed, my general.
PS. Similarities -or direct references- to G.G. Marquez's "Autumn of the Patriarch" are hereby declared to be obviously non-accidental.
Monday, February 18, 2008
Back to the stone age
Going through one of the least productive phases of my life over the last years (work not being done, books remaining unread, blog not updated) I am dedicating my time in more passive activities. No wonder then that finding myself in Razzmatazz last Saturday for a concert by the Queens of the Stone Age, I was already surrounded by an aura of anticipation for self-fulfillment.
I arrived at this famous Barcelona Club, dizzy and tired from the previous night's hungover, looked for a quiet spot at the back and waited for the set to start. Then, as the first notes of "Regular John" started floating in the air I had it. The perfect flashback.
I suddenly realized that the last time I had listened to this song live was a long time ago, in some distant stage in Agios Kosmas in Athens, during a summer festival. As I started calculating the exact time distance, based on memories of people standing next to me, albums just released and football championship titles I realized that it was back in July 1999, with the Queens having only one album and with me just about ready to become the modest chemist I remain to date. As the band carried on with "Avon", (being the second track of the first album, having just followed the first track of of the first album) I took some time off my headbanging -doomed to look ridiculous at my age as most of my friends would be so kind to verify- and drifted off in a trance of recollections covering these nine years.
First came the people. I remembered people there with me on that concert, whom I now occasionally only talk to on facebook, some that I knew back then but have lost completely now and some that I didn't know then but met in the coming years only to share distant, separate concert memories. It was a different place back then. Climate change simply meant a cool April following a warm March, my hometown Athens had not seen snow for decades -since then the airport has been shut down three times due to heavy snowfall-. Ronaldo was still a phenomenon and Zidane a rising star, Greek football was in a limbo unaware of the greatness of a European Cup to follow. Kosovo was still part of Serbia -perhaps slightly more aware of foreign-office-supported greatness to follow-, New Orleans was still in its place and so was Baghdad. The Taliban were the good guys. Saddam was just being a bit stubborn before assuming the role of the personification of evil. Some people had mobile phones, none had one with a camera. Pavarotti was still alive and so was Pinochet. People were worried about Y2K. Ground Zero was still World Trade Center. September 11th was still simply the birthday of my friend Giorgos.
Personally I was just into my early 20s, much less anxious than today, only a bit more ambitious, equally lazy and frustrated with women. My hair looked more or less the same -thank God-, I was still walking around in shorts and hiking boots, wearing T-shirts with band names on them (it was Blur and Radiohead back then, Tool and Radiohead today, some things have not changed a bit). I had just returned back home in Athens after four years of college, I still wanted to become a journalist, I had no idea what Bioinformatics was -and somehow I think neither did Bioinformatics itself-, I had never been to Barcelona, nor ever ridden a plane.
As the third song -I think it was "Do it again"- steered the crowd to rhythmical "heys" I was rudely awaken. This was 2008, two world cups and five Queens' albums later, with so many things in the middle between myself and the "stone age" I had been tripping back to.
But aside of all that, I was still headbanging at the same pace, like the old times, like that distant hot July afternoon in Athens, so pleased and so reassured, that at least some things don't change. And the song remains the same.
Wednesday, February 13, 2008
Slowness
I spent the first half of yesterday's workday reading the blog of a friend and old colleague, which proved a worthy activity from various points of view. It was there, where I came upon this article by Anna Damianidi, for which I have to be grateful to both her for conceiving and writing it as well as to my friend for posting it. For the non-greek speaking, -probably the majority of this blog's rather limited readership- I can try to summarize the concept of that article, simply by translating the first phrase:
"I wonder what will our lives be like when we stopped being in a hurry".
And honestly, I don't think there's much to say beyond that. The article goes on describing some beautiful images of everyday slowness, where everything is seen, felt and perceived in slow motion, therefore regaining its initial meaning and becoming once again important. Then an image of a very beloved person came to my mind, one of these people that never get stressed or anxious, lying on my couch, silently enjoying her cigarette, while reading Milan Kundera's "Slowness", postponing doing the dishes with a charming smile and with her delightful state serving at the same time as a self-referential proof of the book's point.
"What will our lives be like when we stopped being in a hurry?"
If you ask me, they would be very much like Tammy reading Kundera on my couch, smoking.
I spent the second half of yesterday's working time, messed up in between program optimizations and high-throughput sequencing, neither of which has anything to do with slowness, nor could possibly help in its appreciation. Then I re-read the post, sticking to the first sentence once more, realizing that there was an optimistic "when" where I would have expected a dull, utopic "if".
"I wonder what will our lives be like *when* we stopped being in a hurry".
And I said, let's see.
I went back home, cooked for my ex flatmate Pauline, then we watched "High Fidelity" and then I read a bit of Lobo Antunes's "Natural order of things" before going to bed. I slept for a good ten hours straight only to wake up at 10 a.m., to make me a nice breakfast, which I felt no guilt for enjoying on my couch, re-reading parts of "Fever Pitch" by Nick Hornby. During all this, I was listening to Chopin's Nocturnes, which apart from amusing served as another demonstration of this new concept of slowness. A concept whose practice I carried on, arriving late at work, slowly browsing through yesterday's results, unhurriedly walking to the cafeteria for lunch, leisurely discussing with my student Sonja about her progress, while having coffee.
And here I am, at 7 p.m., blogging my slowed-down experience, having done fewer things than I could have done in one day, but certainly having entertained myself far more. In the end, work will be done, programs will be as optimized as possible and the sequence reads will eventually take their place on the genome (or the endless series of failed experiments). And it will all be done the right way, the slow way with me in the middle of all this, at the center of all this, realizing their true meaning, or at last being given the opportunity to judge if there is such a bigger meaning in mapping sequence reads than listening to Chopin.
I mean, after all, how meaningful would it have been if Tammy had done the dishes instead?
Thanks once more to Julien for providing the photo for this post, a collaboration I 'll try to keep ongoing.
"I wonder what will our lives be like when we stopped being in a hurry".
And honestly, I don't think there's much to say beyond that. The article goes on describing some beautiful images of everyday slowness, where everything is seen, felt and perceived in slow motion, therefore regaining its initial meaning and becoming once again important. Then an image of a very beloved person came to my mind, one of these people that never get stressed or anxious, lying on my couch, silently enjoying her cigarette, while reading Milan Kundera's "Slowness", postponing doing the dishes with a charming smile and with her delightful state serving at the same time as a self-referential proof of the book's point.
"What will our lives be like when we stopped being in a hurry?"
If you ask me, they would be very much like Tammy reading Kundera on my couch, smoking.
I spent the second half of yesterday's working time, messed up in between program optimizations and high-throughput sequencing, neither of which has anything to do with slowness, nor could possibly help in its appreciation. Then I re-read the post, sticking to the first sentence once more, realizing that there was an optimistic "when" where I would have expected a dull, utopic "if".
"I wonder what will our lives be like *when* we stopped being in a hurry".
And I said, let's see.
I went back home, cooked for my ex flatmate Pauline, then we watched "High Fidelity" and then I read a bit of Lobo Antunes's "Natural order of things" before going to bed. I slept for a good ten hours straight only to wake up at 10 a.m., to make me a nice breakfast, which I felt no guilt for enjoying on my couch, re-reading parts of "Fever Pitch" by Nick Hornby. During all this, I was listening to Chopin's Nocturnes, which apart from amusing served as another demonstration of this new concept of slowness. A concept whose practice I carried on, arriving late at work, slowly browsing through yesterday's results, unhurriedly walking to the cafeteria for lunch, leisurely discussing with my student Sonja about her progress, while having coffee.
And here I am, at 7 p.m., blogging my slowed-down experience, having done fewer things than I could have done in one day, but certainly having entertained myself far more. In the end, work will be done, programs will be as optimized as possible and the sequence reads will eventually take their place on the genome (or the endless series of failed experiments). And it will all be done the right way, the slow way with me in the middle of all this, at the center of all this, realizing their true meaning, or at last being given the opportunity to judge if there is such a bigger meaning in mapping sequence reads than listening to Chopin.
I mean, after all, how meaningful would it have been if Tammy had done the dishes instead?
Thanks once more to Julien for providing the photo for this post, a collaboration I 'll try to keep ongoing.
Labels:
Literature,
Music,
Work?
Friday, February 8, 2008
February 8th, 1981
The rain is dampening the freezing air. But nobody's cold.
Embraced in a song that seems never-ending, only to be interrupted by cheers.
One, two-nil.
And the song goes on until half-time. It doesn't stop even then. This festival goes on in the midst of this cold, as the scarves leave the necks naked and start dancing in the air. Their voices keep them warm.
Three, four-nil.
All they are waiting for is the final whistle. The score does not matter anymore. No need to worry or argue. They are already fantasizing the goals on tonight's news, their father stunned while listening to their stories, their friends afraid of their rag, looking for a place to hide. They think about tomorrow's happy Monday at school, at college, at work. This next happy week, full of laughter, until next Sunday comes and then the next, until the league is over and then the last Sunday of May with the title, then the transfer season, the summer break and then the first Sunday of September.
Five, six-nil...
Thoughts dancing around the Sundays to come and the songs that don't stop. They all go down the corridors, out of the stadium, back home, to the bars and cafes where the neighbours are waiting for an account of the triumph.
But the doors are shut.In front of them, the Sundays of the ones ahead are tumbling down the stairs. Behind them, the Sundays of the ones to follow are pushing them forward. Their own Sundays, stuck in the middle, crumble, trip and fall. The eyes fill with fear, that six-nil disappears, tonight's news, the rags and laughters, the league and their father waiting, they 're all pressed against the walls. All their Sundays condensed into this single afternoon, all their memories become one...
That of their mother, a few hours ago, as they were getting ready for the game, when she straightened their scarf around the neck, before telling them...
"Take care my son"...
PS. This message goes out for the 20 Olympiacos and one AEK fans who died a day like today, back in 1981. (Thanks to anonymous referee V. for reading, commenting and correcting)
Embraced in a song that seems never-ending, only to be interrupted by cheers.
One, two-nil.
And the song goes on until half-time. It doesn't stop even then. This festival goes on in the midst of this cold, as the scarves leave the necks naked and start dancing in the air. Their voices keep them warm.
Three, four-nil.
All they are waiting for is the final whistle. The score does not matter anymore. No need to worry or argue. They are already fantasizing the goals on tonight's news, their father stunned while listening to their stories, their friends afraid of their rag, looking for a place to hide. They think about tomorrow's happy Monday at school, at college, at work. This next happy week, full of laughter, until next Sunday comes and then the next, until the league is over and then the last Sunday of May with the title, then the transfer season, the summer break and then the first Sunday of September.
Five, six-nil...
Thoughts dancing around the Sundays to come and the songs that don't stop. They all go down the corridors, out of the stadium, back home, to the bars and cafes where the neighbours are waiting for an account of the triumph.
But the doors are shut.In front of them, the Sundays of the ones ahead are tumbling down the stairs. Behind them, the Sundays of the ones to follow are pushing them forward. Their own Sundays, stuck in the middle, crumble, trip and fall. The eyes fill with fear, that six-nil disappears, tonight's news, the rags and laughters, the league and their father waiting, they 're all pressed against the walls. All their Sundays condensed into this single afternoon, all their memories become one...
That of their mother, a few hours ago, as they were getting ready for the game, when she straightened their scarf around the neck, before telling them...
"Take care my son"...
PS. This message goes out for the 20 Olympiacos and one AEK fans who died a day like today, back in 1981. (Thanks to anonymous referee V. for reading, commenting and correcting)
Sunday, February 3, 2008
Invierno Porteno
January is over and it looks like the sunny days are over with it. In all sorts of ways.
I was talking the other day with some friends about the Greek meteorological concept of the days of Alcyone (or Halcyon, or kingfisher bird). These being a few days in the middle of the coldest month (January) during which the sun is shining and the weather is rather warm. It so happened that this year the days of the Alcyone followed me in Barcelona and lasted for more than a fortnight.
But as all things, they are now over and in a sense, nothing seems more just than this. Since this awkwardness of sunny, warm days in the middle of January has been attributed to the kindness of the Gods, it would be somehow blasphemous to hope that it lasted forever. It does not. During the last week, the clouds silently reappeared to dominate the skies. In perfect coordination with my mood.
Shakespeare was wise enough to put in the mouth of Claudius that "When sorrows come, they come not single spies, but in battalions".
And thus my case, the case of the days of Alcyone vanishing, within a single week, which brought a paper rejection, a tough, partly misunderstood decision, the despair of its outcome and the grief of not being able to soothe hard feelings. A battalion of sorrows. Winter is here.
Sunday night, found me in, looking at the pouring rain outside the window, trying to put myself back together, to make sense of what is going on around me, close to me or inside me, at the same time. Unable, frustrated and sad, I watched my team win a boring football game and then went straight to bed, thinking that if I was to be Hamlet and ponder about some kind of profound dilemma, Shakespeare would have probably changed a famous verse of his into:
"Frailty, thy name is man".
PS. Thanks to Julien for providing the photo for this post.
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